![]() use the digital functionalities such as loops, cues, hot cues, slip mode, rev mode, etc. beat-match two/three tracks together, and also the opposite (getting creative with transitions) setup your DJ material properly (cables & sound path, gain staging, CDJ/Rekordbox parameters, filters & effects, cueing/booth monitoring, etc.) Those steps might also help you to stand out faster, but they require a proper understanding of the specific music industry codes.Īs a professional DJ, I will teach you how to: I am launching my own parties in 2022 mainly in Brussels, Lille & Paris, as well as my own collective & label. Management & communication skills regarding the music industry can also be an helping factor to stand out from the crowd, so I can help you on these points too. Regarding Sound Engineer courses, I have been graduated at IAD School in Belgium, and my specialties are mixing/mastering electronic music using Ableton mainly I can also teach you software & hardware production techniques, also on Pro Tools if wanted. ![]() That being said, having your own musical identity and your own DJing style are also important elements, and we will work on those different aspects. People won't remember how many obscure tracks from 1997 post dubtrance-protodubstep you played at the same time on three-vinyl-decks or whatever, they won't remember how perfect your transitions were, they mainly will remember if you did make their asses, heads and foots dance on the night they saw you." Everything else will be fatally secondary. ![]() "Your are not DJing to show people how technically or musically great you are, you are DJing to make people enjoy themselves on the dancefloor, making them dance, and that's the only thing you need to keep in mind in every second while you're working on a gig. My philosophy as a DJ has always been the same for ten years, and will remain the same until the end: My first setup was an old Toshiba computer where I would use the trackpad on Virtual DJ software to mix two tracks together, it was very archaic, but it quickly allowed me to get comfortable with almost every imaginable DJ setup. I started DJing alone in my garage when I was 14, getting my first gigs for school parties and b-days.
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